| The
                value and change of visualization in design education Visualization
                is a broad area for research. However, while I engage in many
                of its areas in teaching and practice, my focus
                is on how to understand and communicate three dimensional information.
                This approach is closely related to my experiences as a design
                practitioner. I understand that each design problem may require
                a unique visual solution and therefore use available tools (manual
                and digital) to achieve goals. Yet among the available tool options
                I place my research emphasis on manual drawing and the role it
                plays in design education. This is particularly important because
                drawing continues to be a valued and necessary visualization
                tool in design, especially in industrial design education. It
                is the foundation for cognitive understanding and the framework
                that many digital tools build upon. However the contemporary
                student of design has posed a challenge to traditional tools
                and curricula models. This student has grown up in a world where
                technology has always been a natural part of their artifacts
                and environments. They are computer literate and are less likely
                to have drawn, explored how physical things work, built models,
                fixed equipment, or engaged in a number of other activities that
                could provide experience and meaning to three-dimensional information.
                As a result, many of these students are having greater difficulty
                perceiving and conceiving form, understanding its complexities,
                and purposely generating it - despite the array of digital tools
                at their disposal. Their confidence in technology, coupled with
                diminished drawing support in many design programs, makes the
                acceptance of drawing more difficult. It is further alarming
                that these deficiencies are witnessed by many design programs
                across the United States and have emerged as a concern to industrial
                design employers seeking to fill entry-level positions. A gap
                generated by the current transition from traditional hand skills
                of drawing and making to modern digital tools is thought to contribute
                to this decline in visual acuity. This too is an area that my
                research addresses.               |