Brief Research Talks [Based on a presentation by Gordon H. Bower; transcribed by D.C. Fallside] What is a “talk”? A talk is not a written paper. Talks have an informal narrative style and are dramatic rather than detailed or completely informative. A better model for the short talk is the campfire storyteller of a mystery (or a Steve Martin skit) rather than the reciter of an encyclopedia. A narrative style is preferable in talks. Research is done to tell a story, going from problem, goal, plan, through actions (observations, analysis) to outcomes, resolution, and a moral (conclusion). Avoid a written journal-style organization. You must be very selective about what you say in a short time. Most short speeches can barely carry one main idea plus lots of support. Resist the temptation to tell everything you know about the subject or every thought you ever had about it. In a short talk, only the most interesting and important things can be said. You are not duty-bound to describe every condition, every analysis, every qualification. In particular, suppress complications and unresolved loose ends or incomprehensible pieces of results--don’t lay your confusions on the poor listener or confuse the listener by trying to pack too much in. Speeches are for getting people interested in your work and having a discussion; written paper for all the details! Your audience will usually ask about questions about the details they want to hear more about. Talk informally as though you were telling your grandmother what you did and why. Complexity of expression is uncorrelated with wisdom, intelligence, and originality; it’s perfectly correlated with audience puzzlement and boredom. Get interest and attention first, with a rhetorical question, anecdote, or startling statement or paradox. Prepare your first two sentences like they were Madison Avenue advertisement for you and your talk. Grab the audience in your first sentences: • Example weak start: “The research I will tell you about stems from earlier work by Johnson published in Cognitive Psychology. This work led to a lot of follow up. And I want to thank my collaborators, Jane and John Smith. . . “ • Example better start: “How do we understand language? How can I figure out the meaning of what you say? Some people believe we have a mental ‘dictionary’ with fixed entries and that we assemble the meanings out of this fixed dictionary. In contrast, other people believe that we have ‘flexible procedures’ which compose sounds into works from which we compute a meaning for the utterance . . .” State the problem being investigated in concrete, specific terms. Help the audience understand specifics first before moving to generalities and abstractions (if you every do). If you do move on to abstractions, one or more concrete examples help the audience instantiate the abstractions. At the end, include a nutshell summary of your main idea(s). Working on your talk In working on your talk, consider following these steps: • Write on paper slips ideas and points to be made. • Assemble them into an outline and fill it out. • Revise the outline, concentrating on transition sentences between sentences. • Write out your speech as you would speak it. Work on oral, not written, phrasing. • Make a new outline of the revised written version. • Practice delivering the talk orally from the revised outline. • Practice aloud before a mirror. Talk slowly. Give yourself plenty of timefor pauses. • Practice with a clock in front of you (or have a friend time you) and practice until you are sure you are within the time limit! Going over the time limit sends an implicit message to other speakers that you believe what you have to say is more important than what they have to say. Other speakers usually find this offensive (if you want to be the subject of nasty gossip at forums, going over time is a 99% surefire strategy). Even if you are the only speakers, it sends a message to the audience that you think what you have to say is more important than their questions/discussion. A helpful rule of thumb: It takes approximately 2 minutes to deliver one page of double-spaced 12 point text (if it takes you substantially less than this, you may be talking too quickly). • Overpractice so that you will be less nervous when you have to deliver it in front of a real audience. Giving the talk In giving your talk, consider following these steps: • Dress sharp. Be Superman or Superwoman. • Clench your fists tightly right before you speak for a minute or so (on the way to the front of the room), then release them. This can help you feel a bit more relaxed before you speak. (Remember, overpracticing your talk is very important if you think you may be nervous.) • Smile. Be and appear friendly and glad to be there. • Talk slowly. Speak loudly enough. Articulate clearly. • Make it completely obvious to your audience when you have finished by some words or gestures, for example, by stepping back, smiling, and saying, “Thank you.” (Applaud one another at the end of your speeches.) • Then ask, “Are there any questions?” The wait a long time (count to 60--one thousand one, one thousand two, etc.). Often the audience needs time to think of some question to ask about--so give the audience a long time to come up with a question. Plant at least one pithy question with a friend she/she can direct it to you in case no one else pops up with a quick question. • If you don’t understand a questioner, ask him or her to rephrase it so you can understand. • If someone asks three questions, answer any one of them and move on. • Don’t worry about “tough” questions: they almost never come. You know more about your research than anybody, so you have a great advantage. Don’t be intimidated by “big shots” in the audience (if there are any). Most are interested in comprehending and ask only simple questions that require you to elaborate details you’ve already thought about but didn’t have time to talk about in a short talk. • If a question comes you don’t know about, it’s okay to say, “I don’t know” or to say “That’s a tough one I haven’t thought about” or “I’ll need time to think about that” or “Fine idea--would be worth pursuing.” You don’t have to have instant answers for everything. Visual aids Use visual aids (overhead transparencies or slides but not both) if you think they will help. If your line of argument is complex (e.g., many causes), list them on a visual; if a within-trial procedure is complicated, show a concrete illustration of it in a visual; if the series of events in an experiment is long or complicated, show a diagram of it. In visuals, make things simple, clear, and obvious. Don’t clutter slides with irrelevancies. A rule of thumb: no more than 7 words on a visual. One word can stand in for whole phrases. If you are working with numbers, ask, “Are the exact values all that terribly important for my point?” Consider a graph that shows idealized trends. If you must use numbers, round up to one or two significant digits (unless additional digits are necessary to make your point). A rule of thumb: no more than 7 numbers on a visual. If you have lots of results you must show, use many slides, not one cluttered slide. Slides must be readable. Print large. Use 24 point font for an audience of 30 or so; even larger for an audience of 100. Put up a slide only a moment before you want to refer to it. Give the audience time to read it, or better yet, you read it to them. Remove the slide when you want to audience to attend fully to you again. Research Talks